![]() Peel entered the Cabinet as Home Secretary (1822–1827), where he reformed and liberalised the criminal law and created the modern police force, leading to a new type of officer known in tribute to him as "bobbies" and "peelers". He entered the House of Commons in 1809, and became a rising star in the Tory Party. He earned a double first in classics and mathematics from Christ Church, Oxford. The son of a wealthy textile manufacturer and politician, Peel was the first prime minister from an industrial business background. Peel was one of the founders of the modern Conservative Party. He is regarded as the father of modern British policing, owing to his founding of the Metropolitan Police Service. Consider keeping your own eyes peeled for an upcoming on-demand view.Sir Robert Peel, 2nd Baronet FRS (5 February 1788 – 2 July 1850) was a British Conservative statesman who served twice as Prime Minister of the United Kingdom (1834–18–1846) simultaneously serving as Chancellor of the Exchequer (1834–1835) and twice as Home Secretary (1822–18–1830). This is an appealing Peelers, worthy of the adoring audiences and awards it received at several film festivals. The answer to a motorcycle mystery lies just ahead. Don’t bail when the credits begin to roll. One other thing worth noting is the ending. To wit: When Logan drives over a zombie, he turns to his mom and says, “Looks like I struck oil!” Walker, as Blue Jean, is particularly effective as the kick-ass female lead a movie like this needs to succeed.Īnd DeVita’s aforementioned script delivers the right mix of pithy dialogue and one-liners. He also coaxes performances that are adequate to good. The music is moody, the lighting and camera angles set the right tone, and director Schelenz manages to convey a kind of grindhouse feel from start to finish. The effects are better than a shoestring budget should allow. There’s nothing deep about a rude, crude, crude oil spookfest.īut this flick IS a good time. If you peel away the layers looking for something deep, you might walk away disappointed. It’s a credit to screenwriter Lisa DeVita that the stories somehow make sense. The poor thing disintegrates.Īs battle lines are drawn, all the subplots come into focus, from Blue Jean and Remy, to Logan and mom, to pregnant stripper and childbirth, to Chromagnum and toxic oil. In a hilarious scene, the theory is put to the test when our pregnant stripper’s water breaks … all … over … a … zombie. This is where Blue Jean, now wearing her “Road Kill” baseball cap, offers a theory: Oil and water don’t mix. Problem is, the dead don’t stay dead for long. Blue Jean goes all Negan-like on Tony as the battle rages. Blue Jean - and do NOT call her BJ - is a former ballplayer whose skill with a bat becomes clear when Tony succumbs to a zombie and, of course, comes back to life as one of the oil-oozing walkers. ![]() Before you can say “Tequilla!,” they’re vomiting a mix of blood and oil and turning into zombie-esque creatures who go on a killing rampage. They’re covered in the stuff - and already counting their millions - when they sit down for a round of drinks. While chipping away for coal, one of them strikes a vein of what they think is a foul-smelling oil. ![]() They’re in a celebratory mood, too, but moreso for their discovery. ![]() Splatter you say? Well, consider the four Mexican miners who enter the club. You also have a slowly simmering thang going on between Blue Jean and bouncer Remy ( Caz Odin Darko), a wisecracking bartender in Tony ( Cameron Dent) and assorted other characters who add sparkle and, eventually, splatter to the scene. Even strippers Baby ( Nikki Walin), Frankie ( Momona Komagata) and the ultra-pregnant Licorice ( Kirsty Peters) are seen more as family than flesh (though trust me, there’s lots of flesh on display). The staff and customers are in a celebratory mood, not just to say farewell to the club but because the place has become an everyone-knows-your-name hangout. It’s the club’s swan song, seeing as how Blue Jean has signed over the place, located in a small coal-mining town, to a greedy developer they’ve nicknamed Chromagnum ( Al Dales). And this is another of those nights where the cops show up looking for Logan. Loos), is a miscreant whose occasional run-ins with the law are more nuisance than nefarious. Peelers is set in a strip club run by widowed mom Blue Jean ( Wren Walker). But if you forgive it its warts, you’ll find lots to like here. It’s available on demand starting March 28 through Uncork’d Entertainment. In the mood for some easy, greasy, sleazy fun? Then check out Peelers, the sophomore - and sometimes sophomoric - directorial effort of Seve Schelenz ( Skew). ![]()
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